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本文关注“汶川地震”后的文化重建,由此分析华夏源流中对于灾难记忆的文化传统,提出并对比分别以“粉饰太平”和“忧患人生”为特征的两条对立路线,其中特别考察和描述了以“地震博物馆”及“遗址公园”等为载体的一系列灾后重现对于四川灾情的整体表述和传承。文章目的在于借此探讨“多难兴邦”及“居安思危”这类的文化认知与记忆,何以在华夏源流的历史传承中成为可能。
This article focuses on the cultural reconstruction after the “Wenchuan Earthquake”, and analyzes the cultural traditions of the disaster-memory in the origins of the Huaxia. It proposes and contrasts the two contradictions characterized by “whitewashing ” and “worrying ” It particularly examines and describes a series of post-disaster reappearances with the “Earthquake Museum” and “Ruins Parks” as the overall expression and inheritance of the Sichuan Disaster. The purpose of this essay is to explore how cultural awareness and memory such as Hardships and Hardships can become a success in the historical succession of Chinese origin.