论文部分内容阅读
中国山水画自唐宋以来,在中国美术史上独占鳌头,成为绘画的主流,其地位、成就和影响是任何画种都不能比拟的。山水画发展至今处在从“古典一现代古典”的形态复兴时期。山水画创作的捩转,现代文艺思潮的渐变,成为促使山水画创作活跃的重要因素。笔墨表现手法的多向探讨,使中国山水画的古典传承与现实创新得到充分发展。今辑砚边文稿,归纳为中国画三小题,以此与同道商榷。
Since the Tang and Song Dynasties, Chinese landscape painting has taken the lead in Chinese art history and become the mainstream of painting. Its status, achievements and influence are unmatched by any kind of painting. The development of landscape painting is now in the period of “Renaissance” from the “classical-modern classical”. The turning point of the creation of landscape painting and the gradual change of the trend of modern literature and art have become the important factors that have stimulated the creation of landscape painting. The multi-directional exploration of the expression of brush and ink made the classical inheritance and realistic innovation of Chinese landscape painting fully developed. This series Yan Yan contributions, summarized as three small Chinese painting, in order to discuss with the same.