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戏剧,包括戏曲(也包括越剧在内)如何走进21世纪,早已引起人们的种种思索,许多有责任心的戏剧工作者都在用自己的创作或理论在辛勤地破译这个课题,在这方面,郭晓男有自己的思索与实践。从上个世纪八十年代后期以来,郭晓男排演了近四十部舞台剧,有话剧、淮剧、越剧、京剧、昆曲以至音乐剧。我看过其中的五部:《蛾》(1988年)、《金龙与蜉蝣》(1994年)、越剧《孔乙己》(1998年)和最近看到的《梁山伯祝英台》与《春琴传》;2003年我还看了音乐剧《蓝眼睛.黑眼睛》的录相。
How drama, including opera (including Yue opera), has come into the 21st century has long aroused people’s thinking. Many responsible theater workers are working hard to decipher the subject in their own creations or theories. Guo Xiaonan has his own thinking and practice. Since the late 1980s, Guo Xiaonan has rehearsed nearly 40 stage plays, including drama, Huai opera, Yue opera, Beijing opera, Kunqu opera and even musicals. I have read five of them: “The Moth” (1988), “The Golden Dragon and the Waddling” (1994), “Kung Fu” (1998) by Yue Opera and “Liangshan Bo Zhu Yingying” and “Chunqin Biography ”; 2003 I also read the musical“ blue eyes. Black eyes ”video.