电影“金鸡奖”中的“最佳故事片”奖的获得者——《乡音》,提供了艺术创作的丰富经验。以影片结尾由“旅游点”而“火车”的改动来说,足见编导者执着的艺术追求。据云:导演胡炳榴和编剧王一民,本来在结构文学剧本的时候,已经商定用山区新开辟的一个旅游点作结尾。但是,他们赴湘西看外景时,沿途经过的基本上都是新开的铁路——枝柳线所经之地,深深感受到火车进山之后,给那古老山区带来物质生活和精神生活的巨大变化。他们并由此而联想到《乡音》中的主人公——陶春,如果她就住在这深山沟里将是怎样的情形呢?于是,导演在分镜头本里,以火车进山的背景取代了旅游点。这一细 The winner of “Best Feature Film” in the movie “Golden Rooster Award” - “Xiang Yin”, provided rich experience in artistic creation. At the end of the film from the “tourist spots” and “train” changes, which shows the devoted pursuit of art director. It is said: Director Hu Bingying and screenwriter Wang Yimin, originally in the structure of the literary script, has agreed to use the mountain opened up a new tourist destination for the end. However, when they went to look at the scenery in Xiangxi, basically passing along the route was the place where the newly opened railway-the branch liuliu line passed-deeply felt that after the train went into the mountains, it brought material and spiritual life to the ancient mountainous areas Great change. They therefore think of the protagonist in the accent, Tao Chun, what would happen if she lived in this deep gully? Thus, the director replaced the background of the train into the mountains Tourist spots. This is fine