戏曲现代戏,作为中国戏曲反映现实生活,塑造时代新人,表现社会主义审美理想,满足人民群众欣赏需要的一支生力军,尽管它坚实的脚步声中时而伴随着艰辛,但在中国当代戏剧史上,自有其丰功伟绩且留下了丰厚的传统。进入新时期以来,虽然从总体上说,现代戏创作依然有较大的突破和开拓,并且近几年确也出现了一批好作品,但是我们不能不看到,一方面.在改革开放潮流对文学艺术呼声的一再高涨的情势下,在面对文学艺术变化发展了的审美形态下,相对于新时期文学和姐妹艺术的进展速度,现代戏创作已经显得跟不上时代需求;另一方面,近几年来,由因一些错误思潮的泛滥和影响,社会上出现了主张文艺远离时代,超脱现实,漠视生活,追求虚无缥缈的“空灵”,宣扬抽象的人性和“自我价值”的思想倾向,我们一些作家的头脑,也或深或浅地受到侵蚀。正是在这样的情势下,十月下旬,在中宣部、文化部、中国剧协、中国艺术研究院以及四川省委宣传部,四川省文化厅的大 As a new force of Chinese drama that reflects the real life, shapes the new era, shows the aesthetic ideal of socialism and meets the needs of the masses, although it is accompanied by hardships in its solid footsteps, in the history of contemporary Chinese drama, since Has its great achievements and left a rich tradition. Since entering the new era, although there are still large breakthroughs and pioneering in the creation of modern drama in general, and there have also been some good works in recent years, we can not but see that on the one hand, in the trend of reform and opening up In the face of the ever-rising demands of literature and art, in the face of the changing aesthetic status of literature and art, compared with the speed of the development of literature and sister art in the new era, the modern drama has become out of line with the needs of the times. On the other hand, In the past few years, due to the proliferation and influence of some erroneous trends of thought, there have emerged in the society some ideological tendencies of advocating literary and artistic separation from the times, transcending reality, ignoring life and pursuing nothingness, and advocating abstract human nature and “self-worth” The writer’s mind is also eroded, either deep or shallow. It is in this situation, in late October, the Central Propaganda Department, the Ministry of Culture, the Chinese Opera Association, the Chinese Academy of Arts and Sichuan Provincial Party Committee Propaganda Department, Sichuan Provincial Department of Culture