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当代艺术作为当今中国的主流艺术,它的出现不但缩小了艺术形态之间的差距,而且对于艺术形态具有开放性、包容性。中国当代艺术在20世纪80年代开始属于自己的步伐,期间不乏产生像徐冰、邱志杰、方力钧等在国际当代艺术界具有影响力的艺术家。他们当中不少是版画家出身,而他们的作品不约而同地呈现出版画的特质。由此可以大胆推断版画对艺术家的创作产生了一定的影响,并且隐约可以看到在当代艺术当中的积极作用。在这些艺术家的作品上让我们看到了中国当代版画的优势以及版画未来发展的方向。本文试图通过对艺术家的作品分析说明版画自身的语言特点以及思维的优势,重点探讨当代版画创作思维对当代艺术产生的积极作用与影响,挖掘版画成为当代艺术的可能性。
As the mainstream art in contemporary China, contemporary art not only narrows the gap between artistic forms, but also has an open and inclusive attitude towards the artistic forms. Chinese contemporary art began its own pace in the 1980s. During this period, there were many artists who had such influence in the international contemporary art circles as Xu Bing, Qiu Zhijie and Fang Lijun. Many of them were printmakers, and their work invariably represented the characteristics of printmaking. From this we can boldly infer that printmaking has a certain impact on the artist’s creation, and can vaguely see the positive role in contemporary art. In the works of these artists, we can see the advantages of contemporary Chinese prints and the future direction of prints. This paper attempts to analyze the artist’s works to explain the characteristics of the print itself and the advantages of thinking, focusing on contemporary print creation thinking of the positive impact and impact on contemporary art, mining printmaking becomes the possibility of contemporary art.