“创作”不是一种物的存在,而是一个理念的完成。创作不是刻意的固体的。中国的漆文化源自河姆渡文化时期,自战国、楚、秦至汉、元、明、清,都有过值得骄傲的灿烂和辉煌。而中国现代漆画却只是近半个世纪才兴起的艺术。有别于国画、油画、版画及摄影、雕塑等,他们的起源、衍变都经过一大批的艺术家的钻研和探索,都具备坚实的理论基础,而 “Creation ” is not the existence of a thing, but the completion of a concept. Creation is not deliberately solid. China’s paint culture originated from the period of Hemudu culture. Since the Warring States Period, Chu, Qin and Han Dynasties, Yuan, Ming and Qing Dynasties have had brilliant and brilliant pride. Modern Chinese lacquer painting is only an art that rose in the last half century. Different from traditional Chinese painting, oil painting, printmaking, photography, sculpture and so on, their origins and evolution have been studied and explored by a large number of artists and all have a solid theoretical foundation.