年产2万多集的电视剧已成为一个巨大产业,同时也成为一个影响中国文化的重要因素。那么,电视艺术的内涵该如何界定?电视艺术的现状该如何描述?电视艺术的未来该如何发展?电视遇到网络媒体的挑战该如何应对?带着一连串疑问,金秋时节,笔者来到位于北京鸟巢西侧的北沙滩1号院,就电视作为艺术的种种“已知”和“未知”采访了《当代电视》主编、中国电视艺术家协会理论研究部主任张德祥。◇电视艺术进入“平台期” With an annual output of more than 20,000 TV series has become a huge industry, but also become an important factor affecting Chinese culture. How to define the current situation of TV art? How to develop the future of TV art? How to deal with the challenge of TV in network media? With a series of questions, in autumn, the author came to Beijing No. 1 North Beach, on the west side of the Bird’s Nest, interviewed Zhang Dexiang, editor in chief of “Contemporary TV” and director of the theory research department of China Television Artists Association, on television as art “known” and “unknown”. ◇ TV art into the “platform period”