中国目前关于“世界文学”的发展前景的讨论,对于一些文化,例如中国文化来讲,既是机遇也是挑战。而后殖民理论的发展,更是引发了关于民族文化在世界背景下的地位的讨论。[2]特别是对于中国来说,随着它在世界范围内经济和政治上的重要性的日益增长,就更加渴望其文化传统成为“世界文学”中更具有影响的组成部分。例如,王宁认为,应把“世界文学”这一概念作为一个包括更多的来自非西方文化作品的文学观;并且他在自己的研究中意识到,“在同化各民族文化的过程中,全球化也为中国提供了宝贵的 China’s current discussion on the development prospects of ”world literature“ is both an opportunity and a challenge for some cultures, such as Chinese culture. The development of post-colonial theory has also led to a discussion about the status of national culture in the context of the world. Especially for China, as its economic and political importance continues to grow throughout the world, its cultural tradition is even more eager to become a more influential part of World Literature. Wang Ning, for example, believes that the concept of ”world literature “ should be used as a concept of literature that includes more works from non-Western cultures; and in his own research, he realizes that ”in assimilating the cultures of all ethnic groups In the process, globalization has also provided China with precious resources