论文部分内容阅读
随着读图时代的来临,人类对图像艺术的接受向平面快感化和理智化两个发面发展。而当代的艺术批评是通过对作品进行描述、分析和阐释之后做出的评价,这样的评价偏重于图像作品的内涵,却忽略了图像艺术和文学艺术之间的同质属性。艺术批评在艺术评判领域中没有抽象的规则而后固定的标准,因此给批评留有一定的余地,在进行图像作品的艺术批评时过于注重文学艺术和图像艺术之间的差异性。在当代的艺术批评中只有重视艺术感性的存在,才能促进当代诗性艺术精神的弘扬。
With the advent of the era of graphic interpretation, the acceptance of image art by mankind has developed in two aspects, that is, hedonism and intellectualization. Contemporary art criticism, however, is an evaluation made after the description, analysis and interpretation of the work. Such evaluation focuses on the connotation of the image work, but neglects the homogeneity between image art and literature art. Art criticism has no abstract rules and then fixed standards in the field of artistic judgment. Therefore, it leaves some room for criticism. In the artistic criticism of image works, it focuses too much on the differences between literary and graphic arts. Only by emphasizing the existence of artistic sensibility in contemporary art criticism can we promote the contemporary poetic artistic spirit.