随着世纪初几部新诗史的诞生以及系列诗歌专著的出现1,新诗史写作问题的兴起已进入不言自明的状态。作为文学史的一个重要分支,新诗史及其系列专著的出现,无疑是“重写文学史”的继续。不过,随着诗歌史书写的进行,那些关乎“历史”的问题又要出现在史家和读者面前,而“历史分期”或许是首要面对的一件事情:“现代”、“当代”以及“20世纪”本身,这些常常为人所提及的时间概念必然汇合 With the birth of several new poetry histories at the turn of the century and the advent of a series of poetry monographs, the rise of the history of new poetry writing has entered a self-evident state. As an important branch of the history of literature, the emergence of the history of new poetry and its series of monographs is undoubtedly the continuation of “rewriting the history of literature.” However, with the writing of the history of poetry, issues concerning “history ” appear again in front of historians and readers, and “Historical Stages ” may be the first thing to be faced with: “Modern , ”Contemporary“, and ”20th Century" by themselves, the often-mentioned concepts of time inevitably converge