日本一位当代戏剧评论家把戏剧称之为由三种要素构成的一种艺术,即演员、剧本、观众。而其中“最本质的要素是演员”。因为很明白,剧本也好,导演也好,他们的创造,归根到底要由演员体现于舞台。然而同样的剧目,不同的演员的演出却有高下之分。所以当一名演员并不难,当一名真正称得起艺术家的演员则不是任何人都能达到的。这里的差别就在于创造。尤其是戏曲演员,由于许多传统剧目的表演都有规可循,往往容易流于“刻模子”的形式主义的模仿,所以 A contemporary Japanese drama critic refers to drama as an art composed of three elements, an actor, a script, and an audience. Which “the most essential element is the actor.” Because we understand that the script is good, the director is also good, their creation, ultimately, to be reflected in the stage by the actor. However, the same repertory, the performance of different actors are competing points. So when an actress is not difficult, it is not something that anyone can actually achieve when an actor who can truly value the artist. The difference here is in creation. In particular, opera actors, as many of the traditional repertoire performances are well-regulated and tend to flow easily to formalists ’imitation of’