去年年底,在长沙举行了1986年歌剧交流演出,涌现出九台新歌剧,特别出现了像湘潭市歌剧团的《深宫欲海》那样的佳作,更加令人振奋。但是在同时举行的座谈会上,各演出团体代表却一致认为,尽管歌剧出现了一些生机与希望,而现状仍然处境艰难,形势险峻。还认为歌剧难产的原因当然是多方面的,但其中最迫切的问题却是“歌剧不演不亏,越演越亏。”据悉去年四月辽宁歌剧院来京演出的《情人》和《快乐的寡妇》,场场客满,但结果亏了数万元,连上海也没去成。又悉中央歌剧院《卡门》剧组去年 At the end of last year, it was even more exciting to hold a concert in 1986 in Changsha, where nine new operas emerged, especially those like “The Palace of Desire,” which was made by the opera troupe of Xiangtan City. However, at the simultaneous symposium, the representatives of various performance groups unanimously held that although the opera has shown some vitality and hope, the current situation is still in a difficult situation and the situation is steep. I also think that the cause of dystopian opera is certainly multifaceted, but one of the most pressing problems is that “opera does not perform without loss and leaps and bounds.” It is reported that the “Lover” and “Joy” performed by the Liaoning Opera House in Beijing last April Widow “, the court was full, but the result lost a few million, did not even go to Shanghai. Also aware of the Central Opera House ”Carmen" crew last year