纵观中国近百年来的历史,我国的音乐教育一直缺乏对音乐文化认知的训练,或者说在文化交流中缺乏一种跨文化意识能力的培养。自“五四”运动以来,随着人们开放意识的不断增强,我国音乐界不仅系统地接受了西方音乐的理论体系和阐释模式,而且把它列为整个音乐教育的中心内容, Throughout the past hundred years of history in China, the music education in our country has been lack of training on the cognition of music and culture, or lack of a kind of intercultural awareness training in cultural exchange. Since the “May 4th Movement”, with the continuous improvement of people’s awareness of openness, China’s music industry has not only systematically accepted the theoretical system and interpretation model of western music, but also listed it as the center of music education.