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《南田画跋》是诸多画论中最具诗情画意的,恽格的绘画思想理论也主要集中在他的画跋中,本文仅从“师古人”“摄情说”“虚实相生”这三个方面来对《南田画跋》进行美学微探。
“Nantian painting Postscript” is the most poetic painting of many theories, and the theory of painting is mainly concentrated in his paintings and postscripts, this article only from the “teacher ancients ” Arising from “the three aspects to” Nantian painting postscript "for aesthetic micro-exploration.