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漆画家们在探索漆画工艺制作技术的同时,更注重于寻找漆画的绘画语言特征,以此来完善这个古老而又年轻的绘画形式。使更多艺术家和理论家所困惑的不是对漆画概念的确立,而是对漆画家在创作过程中与其他画家在创作心理上的感受和对画面效果的特定追求。因为它不象古典油画那么按部就班地再现自然,也不是象中国文人画那么超越现实而追求笔墨情趣。漆画因漆技而得名,就不可能失去它自身材料和工艺制作的特定要求,否则就失
While exploring the techniques for making lacquer, painter artists pay more attention to looking for the language characteristics of lacquer painting in order to perfect this ancient and young painting form. What puzzles the more artists and theorists is not the establishment of the concept of lacquer painting but the psychology of creation and the specific pursuit of the effect on the painting of the lacquer artist in the process of creation with other artists. Because it is not so step by step like the classical oil painting to reproduce nature, nor is it like the Chinese literati painting so beyond the reality of the pursuit of pen and ink. Lacquer painting named after the paint technology, it is impossible to lose its own material and craft production of specific requirements, otherwise lost