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本文研究的对象是白族舞蹈形式“霸王鞭”的表演形态和文化内涵,目的是体现“霸王鞭”的文化与传承在艺术学、人类学、民俗学、民族学诸多领域的研究中具有重要且不可替代的价值。为了研究时的便利,本人先从白族舞蹈文化历史背景谈起,简述白族舞蹈的概念和文化形态,白族舞蹈分别在三种特定情况下进行表演,继而展开对白族舞蹈形式“霸王鞭舞”的简述、“霸王鞭舞”表演形态和“霸王鞭舞”文化内涵的论述。以上述为基础来阐述“霸王鞭舞”的传承方式与表演机制、“霸王鞭舞”的保护与发展和“霸王鞭舞”的改革与创新[1]。
The object of this paper is the performance form and cultural connotation of the Bai-style dance “Bawang Whip ”. The purpose of this study is to show that the culture and inheritance of the “Bawang Whip” have the following characteristics in the fields of art, anthropology, folklore and ethnology Important and irreplaceable value. In order to study the convenience, I first talked about the historical background of the Bai ethnic dance culture, briefly described the concept and cultural form of the Bai dance, Bai dance performed in three specific circumstances, followed by the dance of the Bai ethnic group “Brief description, ” King whip dance “performance patterns and ” King whip dance “cultural connotation. Based on the above, this paper expounds the inheritance mode and performance mechanism of ”King Whip Dance“, the protection and development of ”King Whip“ and the reform and innovation of ”King Whip".