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中国戏曲表面看来芜杂而无关联,实际上我们容易发现,剧作家如是做戏的真正美学意图是实现一种中庸平和之美。尽管剧目样式、题材、风格等参数都是千差万别,但中和之美已然成为所有中华戏曲乃至中国文艺的精髓。而中华戏曲之所以独步八百年,关键是在于她主要想给予人的是这种“中和”之美。
In fact, we can easily find out that the real aesthetics intention of the dramatists in acting is to realize a kind of peace of the mean. Although the style, theme, style and other parameters are different, but the beauty of neutralization has become the essence of all Chinese opera and even Chinese art. The reason why Chinese opera is 800 years old is that the key to giving her this kind of “neutralization” is her beauty.