继去年春天召开的“北京人民艺术剧院风格研讨会”之后,今年,我们话剧研究所又发起组织了“沈阳市话剧团探索之路研讨会”。为什么我们要这样做呢?简单回答起来,是因为越来越感到剧团研究的必要性和重要性。新时期的戏剧理论界的视野是更为广阔而活跃的,最宝贵的是对于热门话题的讨论,如社会问题剧,戏剧危机,戏剧观的讨论等等。而经常关注的,多系剧目的评论,剧作家和导表演艺术家的评介。当然,这些评论和研究是必要的,相形之下,对剧团的研究和评论是比较少的。我以为,应当把剧团的评论和研究作为戏剧理论经常关注的课题。引发这种考虑的原因,还是话剧界的实际。在话剧危机的困境中,在话剧面临电视电影和流 Following the “Beijing People's Art Theater Style Symposium” held last spring, this year, the Theater Research Institute of our country has also initiated the “Symposium on the Exploration of Shenyang Repertory Theater Company.” Why do we want to do this? Simply put, it is because we feel more and more the necessity and importance of the study of the troupe. The field of theatrical theorists in the new era has a broader and more active vision. The most valuable are the discussions on hot topics such as the social problem drama, the drama crisis, the discussion of the dramatic view, and so on. Often concerned about the multi-line repertoire reviews, playwright and director performing artist reviews. Of course, these reviews and studies are necessary. In contrast, there are relatively few studies and commentary on the troupes. I think that the commentary and study of the troupe should be regarded as a topic of constant concern to drama theory. The reason for this consideration is the reality of the drama industry. In the dilemma of the drama crisis, the drama faces television and streaming