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戏曲服装随着戏曲艺术的发展而日趋成熟,它是我国民族文化中一颗璀灿夺目的明珠。在研究戏曲服装的过程中,我总结中国戏曲服装至少具有五个基本特征,即写意性,程式性,夸张性、装饰性和可舞性。(一)写意性写意是中国古典艺术的美学法则,它要求艺术家抓住并突出客体中与主体相契合的某些特征,表现艺术家对现实生活的审美评价及审美理想,抒发主观感情、意兴,而不是写实性地再现客观对象。中国戏曲进入成熟期以来,就以传神,写意作为主要审美特征了。它表现在剧本中,
With the development of opera art, opera costumes have become more and more mature. It is a brilliant pearl in our national culture. In the process of studying drama costumes, I concluded that Chinese opera costumes have at least five basic characteristics, that is, freehand, programmatic, exaggerated, decorative and danceable. (1) Freehand and freehand brushwork is the aesthetic law of Chinese classical art, which requires artists to grasp and highlight certain characteristics of the object in conformity with the subject, to show the artist’s aesthetic evaluation and aesthetic ideal of real life, to express his subjective feelings, Rather than realistically reproduce the objective object. Since the Chinese opera entered the mature period, it has been characterized by vividness and freehand writing as the main aesthetic features. It shows in the script,