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树与石完美的结合,往往选取大自然当中一块近景,石为依托,树是灵魂,树是活着的艺术,简约而不简单,张扬而不造作。那么归根到底,时间才是盆景造化的试金石,小树培养造就了李云龙山水盆景和微型盆景的灿烂和辉煌。2004年在泉州,李云龙的山水盆景作品《蓬莱仙境》受到盆景界人士的颇多青睐和嘉许。人们惊叹——那些依附在山石之间的“小老树”是如何栽植上去的?如此众多的老树呈横秋之态,游离在这大山的怀抱里,与白云为伍,听山泉歌唱,其境界高焉!其手笔大焉!甚至于今日,在广州举办的“2015年国际盆景大会暨亚太盆景赏石大会”的盆景创作比赛现场,有人看到李
The perfect combination of tree and stone, often select a close-range view of nature, the stone as the basis, the tree is the soul, the tree is a living art, simple but not simple, publicity without making. Well, in the final analysis, time is the touchstone of bonsai, tree cultivation created Li Yunlong bonsai landscape and miniature splendid and brilliant. In 2004 in Quanzhou, Li Yunlong’s landscape bonsai works “Penglai fairyland” by the people in the bonsai quite a lot of favor and commendation. People wonder - how are the “little old trees” that are attached to the rocks and stones planted? So many old trees are in the state of autumn, free in the embrace of the mountains, with the white clouds, listen to the spring singing, Its realm of high yanyan! His hand Yan! Even today, held in Guangzhou "Bonsai 2015 International Bonsai Congress and the Asia-Pacific Bonsai】 【stone bonsai competition scene, someone saw Lee