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笔墨山水是指用笔用墨的各种变化来塑造的山水画,笔墨的主体性也成为欣赏山水画的基本要素。从笔墨的不同风格来考察,传统和现代山水画总体上都呈现出结构性和写意性的笔墨倾向,即笔墨对于山水结构和形式语言表达的侧重线路。结构性笔墨山水关注的是山石自然纹理和形体构造的塑造,写意性笔墨山水所传达的则是画家对笔墨的种种感受和形式,无论是结构的还是写意的山水画,笔墨总是第一位的。在古今绘画理论中,论山水多在于探讨笔墨的表达,笔墨核心论超越了所要描绘的具体山水形象。所以从山水画的发展史上看,画家的笔墨运用明显具有时代价值取向的因素,这种变化几乎一直贯穿着山水画的发展。
Landscape painting refers to the use of pen ink to create a variety of landscape painting, the subjectivity of ink has become a basic element to enjoy landscape painting. From the different styles of ink and wash, the traditional and modern landscape paintings generally show structural and freehand brushwork tendencies, that is, the emphasis of ink and brush on landscape structure and formal language expression. The structural brush and ink landscape is concerned with the shaping of the natural stone texture and the physical structure. The freehand brushwork and ink landscape convey the various feelings and forms of the painter on the brush and ink. The structure and the freehand landscape painting are always the most important . In the ancient and modern painting theory, the landscape is mostly about the expression of pen and ink, and the core of pen and ink transcends the specific landscape image to be portrayed. Therefore, from the perspective of the history of the development of landscape painting, the painter’s use of brush and ink obviously has the elements of the value orientation of the times. Such changes have been permeated almost by the development of landscape painting.