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在《第九空间》中,我们看到一个黑的世界,一个什么都没有的虚空。在整个宇宙长成的无限次元之外,在人类意识生成的基原黑暗之外,那沁入一切的黑,劈碎无物使之成为分离的有物并用各种方式运转着。不论物质与精神,还是外部与内在,表象世界其实是一个被重重叠叠装饰着的原始虚无。怎样更好地享受这些装饰物——这充斥着客体和梦境的世界呢?如何去享受?逐一地,抑或整体地,何时,并享受到何种程度?《第九空间》和其姊妹篇《秘密星球》,亦如这个系列的其他作品——《沙滩游戏》《我会飞》,阐明了对魔力的需求——以期驾驭这虚空和其中光怪陆离的世界。用护身符、魔法衣、魔幻步、幻景以及对梦境的笃信,并以极其有
In “The 9th Space,” we see a dark world, a nothingness. In addition to the immense dimension of the entire universe, beyond the primitive darkness of human consciousness, all blackness, nothingness, make it a separate possession and operate in various ways. Whether material and spiritual, or external and internal, the world of representation is actually a primitive nothingness that has been heavily decorated. How to better enjoy these decorations - which is filled with a world of objects and dreams? How to enjoy? To what extent, one by one or the whole, when, and to what extent? “Space 9” and its sister Secrets of the Planet, and the rest of the series, “Beach Games,” “I’ll Fly,” set out the need for magic in hopes of harnessing this vanity and its bizarre world. Use amulets, magic clothing, magic steps, illusion and dreams of the devout, and in extreme