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情感是舞蹈艺术的核心,是舞蹈生命力所不可分割的一部分。情感性语言是与情感本身联系在一起的,一个好的舞蹈编创作品要有合理的情感性语言,以及达到情要真,意要深,而情真需要创作者对民众生活有深刻的体验,意深则需要艺术家们对社会生活有高屋建领的理解和认识,只要情真意深,形象必然丰满,作品的哲理品格也便会透过情节自然浮现出来,反之如果舞蹈编创中动作很单一,没有情感的贯注,所呈现出来的舞蹈形象便苍白无力,不能打动人心,所以说,情感语言是舞蹈的灵魂,舞蹈编创中离不开情感语言。
Emotion is the core of dance art and is an integral part of dance vitality. Emotional language is associated with the emotion itself, a good dance compilation of works to have a reasonable emotional language, as well as to reach the true, the meaning of deep, and love really need creators have a profound experience of public life, Deep meaning requires the artist’s understanding and understanding of the high-rise and high-rise living in social life. As long as the true meaning is deep and the image is bound to be full, the philosophical character of the work will naturally emerge through the plot. On the contrary, if the movements in the dance are very simple, Without emotional concentration, the dance image presented is pale and weak and can not touch people’s hearts. Therefore, emotional language is the soul of dance, which can not be separated from emotion language.