文章以中国大陆、台湾地区和日本三个地区的动画为研究对象,首先讲述了佛教文化与动画的关系,然后通过比较中国大陆、中国台湾及日本动画“融佛”的三种模式,指出了中国大陆动画“融佛”的理想模式应该是注重佛教艺术和佛教典故的融入。 Taking the animations of the three regions of mainland China, Taiwan and Japan as the objects of study, the article first describes the relationship between Buddhism culture and animation, and then compares the three modes of animation “merging Buddhism” in mainland China, Taiwan and Japan, It is pointed out that the ideal model of “blending Buddhism” in Mainland China should focus on the integration of Buddhist art and Buddhist allusions.