典型事件模型理论由Langacker提出,包括弹子球模型理论和舞台模型理论两部分。在诗歌创作与翻译的认知过程中,一些意象被诗人或者译者识为射体,而另一些则被识为界标。由于译者与诗人各自的认知系统无法完全契合,往往会造成译诗与原诗的射体、界标,以及二者间动态关系的不一致。本文以雪莱的A Song为例,对其四首不同译文作对比分析,主要从译诗与原诗的射体、界标、二者间动态关系及舞台背景的构造解释诗歌意境的营造,从而证实典型事件模型理论在英诗汉译过程中发挥着重要作用。 The typical event model theory is proposed by Langacker, including the marbles model theory and the stage model theory. In the process of cognition of poetry creation and translation, some images are regarded as projectiles by poets or translators, while others are regarded as landmarks. Because the respective cognitive systems of translator and poet fail to fully fit, they tend to cause inconsistency of the projectiles, landmarks and the dynamic relationship between the translated poems and the original poems. Taking Shelley’s A Song as an example, this paper compares and contrasts four different translations of Chinese poems to explain the creation of poetic mood from the perspective of the projectiles and landmarks of the translated poems and the original poems, the dynamic relationship between the two and the structure of the stage background It is proved that the typical event model theory plays an important role in the translation of English poems.