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打开电视机,一位主持人手拿着话筒和一位明星在对话。那明星正在称赞某一位作家,末了又说:“人家说他的作品是痞子文学,我看,写痞子文学的不一定是痞子。”主持人连忙附和:“对呀,写痞子文学的作家不一定是痞子,作家和作品是两回事嘛。” 这是个老掉牙的话题了。写小偷的作家不必亲自去行窃,写妓女的作家不必亲自去卖淫或做嫖客;倘要一个写死刑犯的作家亲自去挨一下枪子,那可就更荒诞了。作家可以调动他的独到的观察、丰富的想象和体验,去刻划人物的复杂内心世界,这是文学创作的常见手法。
Turn on the TV, a host holding a microphone and a star in the dialogue. The star is praising a writer, and finally said: “Some people say his work is the riffraffer literature, and I think it is not necessarily a riffraff to write the riffraffer literature.” The host quickly attached: “Yes, writer writing riffraffer literature Not necessarily ruffian, writer and work are two different things. ”This is an old topic. Writers who write thieves do not have to go burglary in their own hands, write prostitutes writers do not have to go prostitutes or prostitutes in person; to write a writer to death criminals to go to a shot, it can be even more absurd. Writers can mobilize his unique observation, rich imagination and experience, to characterize the complex inner world, which is a common practice in literary creation.