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学术界普遍认为《中国新文学大系》的出版对“现代文学观念”的形成具有突出的贡献,但这个结论往往比较空泛,还没有深入到具体层面。我们从三篇《小说选集.导言》入手,探索其中的文学观念,发现它们表现出四个方面的共性:一是为“新文学小说”设定了相同的起点;二是以西方文学为参照分析和评价“新文学小说”;三是对中国传统文化表现出否定或漠视的态度;四是尊重作家的个性。这些鲜明的共性深刻揭示了“现代文学”的基本特征,促成了学术界对“现代文学”的认识和关注。
The academic community generally holds that the publication of the “Grand Series of Chinese New Literature” has made outstanding contributions to the formation of “modern literary concepts.” However, this conclusion is often rather vague and has not yet been deepened to the concrete level. We start from the three “Introduction to the novel.” We explore the literary concepts and find that they show four aspects in common: First, set the same starting point for “new literary novel”; second, As a reference for analysis and evaluation of “new literary novel ”; third, the Chinese traditional culture showed a negative or indifferent attitude; Fourth, respect for the writer’s personality. These distinctive universals profoundly reveal the basic characteristics of “modern literature ”, contributing to the academic community ’s “modern literature ” awareness and concern.