光影是镜头的语言,场景是光影的舞台,清朝题材历史电视剧在光影叙事上既继承了斯托拉罗的半阴影基调布光又借鉴了爱因汉姆的“灰白”两色布光理念,形成了自己特有的光影风格。在烘托典型环境、加强艺术感染力的同时又隐喻了人物命运的浮沉。 Light and shadow are the language of the scene, the scene is the stage of light and shadow. In the light and shadow narration, the drama of the Qing Dynasty not only inherited the semi-shadow tone of Stora Rosa, but also drew on the “gray” two-color cloth of Ainham Philosophy, formed its own unique light and shadow style. In contrast to the typical environment, to enhance the artistic appeal at the same time metaphor figures fate ups and downs.