方少华新表现主义风格的绘画通常流露出一种基弗式的凝重气质。纪念碑性质的朱红色的城门与零乱、灰暗、涂鸦式的现代建筑形成了一种简单明了的寓言效果。自由洒脱的笔触、单纯沉着的色调,尤其是天际上永远悬浮的那只持伞的手都赋予作品一种启示录性质的气氛。在这些作品中,历史遗产、社会、性等等视觉元素常常呈现出一种混乱而非图解化的配置状态,仿佛是对一个缺乏方向感社会的视觉质询。 黄专(广州美术学院) Fang Shaohua’s neo-expressive style paintings often show a Kiefer-style dignified temperament. The monumental vermilion gate forms a straightforward allegory with messy, gloomy, graffiti-style modern architecture. Free and easy brush strokes, pure calm colors, especially the ever-floating hand holding an umbrella on the horizon, give the works an apocalyptic atmosphere. In these works, the visual elements of historical heritage, society, sex, etc. often exhibit a confused rather than pictorial configuration as if they were visual questions about a society lacking a sense of direction. Huang (Guangzhou Academy of Fine Arts)