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近些年,商品经济的作用促使社会阶层分化,底层写作成为文坛瞩目的热点。但是作家普遍都走向了代言人式的写作模式,不是真正的底层再现。在城市浪潮下兴起的山寨文化是否就是底层文化的真实状态?本文以《高兴》为例,分析了山寨文化把知识分子笔下的代言人式的底层写作转化成山寨民的娱乐化,都是非底层化的身份:代言人与山寨民。代言人到山寨民不但是对底层灰色的五彩化,更是言说对象主体的变异,是彻底的非底层化。
In recent years, the role of commodity economy has contributed to the differentiation of social strata and the writing at the bottom has become a hot spot in the literary world. But writers are generally moving toward the spokesperson-style writing mode, not the real bottom-line reproduction. Is the cottage culture rising under the tide of the city the true state of the underlying culture? This article takes “Happy” as an example, analyzes the cottage culture to the intellectuals of the end of the writer’s writing into the entertainment of the cottage, are non-bottoming Identity: spokesman and cottage people. Spokesman to the cottage is not only a gray ground floor of the multi-color, it is to say that the main variation of the subject is completely non-basement.