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赵孟頫的“古意”论使人物画在画坛上确立了正统地位,是元代文人画的开创性人物。本文通过对其画作的分析,进一步对“古意”论进行解读。
Zhao Mengfu’s “Ancient Meaning” theory made the figure painting establish the orthodox position in the painting circle, and is the pioneering figure of the literati painting in the Yuan Dynasty. Through the analysis of his paintings, this article further interprets the “ancient meaning” theory.