形临,即写实地临写字帖,注重形似,是向经典法帖学习技法语言的途径,以此获得原碑帖的笔法运作技巧和结字方法。形临是学习技法的阶段,那就意味着临帖时要严格按照原帖法则来写。一要笔法准确,二要结构准确。总之形临的终极目标是准确无误地再现原帖。所谓意临,实质上也就是得原帖意蕴神采。大凡有所成就的书法家,对传统的学习皆以意临为之,多以自己的书法语言特色来再现原帖的风神,若这时书家对原贴的理解能够达到神思散逸的程度,临作或许更精妙。意临在拟其意态风神的基础上,可以夸张笔画粗细对比以及结字的疏密、欹侧,使它更充满生机。 Formal modality, that is to say, writing copybooks in real life and paying attention to the shape of the book, is a way to learn tactical language from the classic Fattling, and thus obtains the brushwork operation skills and knotting methods of the original rubbings. The form of learning is the stage of learning techniques, which means that when you copy your posts, you must write them in strict accordance with the original rules. One must be accurate, and the other must be accurate. In short, the ultimate goal is to accurately reproduce the original post. The so-called intention of imminent, in essence, is the original meaning of the original quote. Most of the accomplished calligraphers do their best to the traditional study. Many of them use their own calligraphy language features to reproduce the original amorism. If the book’s understanding of the original can be achieved, the book’s understanding of the original can be achieved. Proshu may be more subtle. On the basis of its intentions, the intention is to exaggerate the contrast between the thickness of the strokes and the denseness and laterality of the knots, making it more full of vitality.