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作为在音乐史上占据重要地位的浪漫主义钢琴音乐家,舒曼是19世纪世界音乐界、钢琴界的艺术代表,其最为人知的当然是他丰富多彩的钢琴曲作品,而少为人知的则是舒曼不仅是音乐家,其在文学上的造诣很高,并将文学与音乐完美的结合起来,开创了标题音乐这一重要流派。正因为舒曼对标题音乐的重要性,研究其标题音乐与艺术形象的结合,分析其中的特点具有重要的意义。本文以《狂欢节》为例分析舒曼将标题与艺术的结合。
Schumann, the romantic piano musician who plays an important role in the history of music, is an art representative of 19th-century world music and piano circles. His best known of course is his colorful piano compositions, but less well-known is Schumann is not only a musician, he has a high literary attainment and combines the perfect combination of literature and music, creating an important genre of headline music. It is because of Schumann’s importance to the title music, to study the combination of the title music and the artistic image, and to analyze its characteristics. This article takes “Carnival” as an example to analyze Schumann’s combination of title and art.