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宗教、文学与人生是奥康纳创作中始终着意放大交织为三位一体的最基本的精神境界和叙事的精神维度。奥康纳以一种独特的人生自我预设与生命存在病痛的书写诉求,无比有力地彰显出一种被动式地陷入一种沉溺性的悖谬或虚诞的哲理意蕴。事实上,奥康纳伴随着病痛的哲学沉思,探寻与追求“此在意义”是其美学书写的根本动因。本文将着眼于三方面内容的关注:一是信仰与写作:一种神性的东西;二是谦卑与虔敬:认识自己所缺乏的东西;三是骄傲与局限:人类的自然本性。透过对奥康纳书写文本的叙事分析,解读其关于人性与存在的哲学沉思与美学想象。在其哲理性颇深的系列小说中,奥康纳以对“当下”、“未来”与“彼岸”的刻画与窥伺,开启了其迈向自我生命多重纠葛的烛照性书写。
Religion, literature and life are the spiritual dimensions of O’Connor’s creation that always intends to enlarge the most basic spiritual realm and narrative intertwined as the Trinity. O’Connor with a unique self-life preposition and existence of the pain of life writing appeal, very powerful to demonstrate a passively immersed in a subversive or naive philosophical implication. In fact, O’Connor’s philosophical contemplation, exploration and pursuit of “pain and suffering” are the fundamental motives for his aesthetic writing. This article will focus on three aspects of the content of concern: First, beliefs and writing: a divine thing; second, humility and piety: to know what they lack; Third, pride and limitations: the natural nature of mankind. Through the narrative analysis of O’Connor’s written texts, he interprets his philosophical contemplation and aesthetic imagination about human nature and existence. In his philosophical series of novels, O’Connor opened up the candlelight writing toward the multiple disputes of his life with the portrayal and observation of “present”, “future” and “the other side” .