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本文就近年发现的40余处大兴安岭岩画遗存中的典型岩画点的分布、发现过程作了概述,并对其文化特征、文化价值进行了分析,虽然大兴安岭岩画的断代仍为其研究的最大瓶颈,但通过大兴安岭岩画的研究,黑龙江流域早期民族或族群都可从中寻找到其文化的渊源,同时,大兴安岭岩画作为环太平洋岩画带的重要结点,为研究中国北方民族历史文化的变迁及与北美大陆的文化交流,提供了鲜活的材料。
This paper summarizes the distribution and discovery process of the typical petroglyphs in the remains of more than 40 found in the Greater Khingan Mountains in recent years, and analyzes their cultural characteristics and cultural values. Although the dating of the Daxinganling petroglyph remains the biggest bottleneck in the research, However, according to the study of rock paintings in the Greater Khingan Range, the early nationalities or ethnic groups in Heilongjiang River Basin can find the origin of their culture. At the same time, the Daxinganling petroglyphs, as an important node in the Pacific Rim, is the study of the historical and cultural changes in Northern China. Cultural exchanges, providing a living material.