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中国当代艺术的反审美是一种新的美学概念。1990年代初,当代艺术这个词汇在中国被使用,中国当代艺术作品就形态呈现出“反审美”的重要现象。当代艺术的审美观念方式在世界艺术领域中出现至今已经形成了一种潮流,它对传统的审美观念所带来的冲击是不可逆转,已成为中国当代艺术的重要属性。在当代艺术的本质问题上,美不再是艺术家的核心关注点,因为艺术并不是审美地向我们呈示,艺术中的真可能比美更重要。艺术美学是叛离常规性美学的美学,不是被动的审美,而是创造性的美学,是一种透射着美学关怀的审美策略。
The anti-aestheticism of Chinese contemporary art is a new concept of aesthetics. In the early 1990s, the term contemporary art was used in China, and the contemporary Chinese art forms showed an important phenomenon of “anti-aestheticism.” The way of aesthetic conception of contemporary art has emerged in the field of art in the world so far. Its impact on the traditional aesthetic concept is irreversible and has become an important attribute of contemporary Chinese art. On the nature of contemporary art, the beauty is no longer the core concern of the artist, because art is not presented to us aestheticly, and the truth in art may be more important than beauty. Art aesthetics is the aesthetics that betrayed conventional aesthetics, not passive aesthetics, but creative aesthetics, which is an aesthetic tactic that transports aesthetics care.