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近现代,由于科学技术的发展,人工地克服摹写不利的自然因素的能力不断提高,致使大一统的现代主义建筑风格在世界各地广泛流行。然而,在经历了近一个世纪的时间之后,人们开始反思:这样抹煞地区差异的心底与主义建筑流派又重新登上了舞台,当然,地域差异包括了两个方面:一个来自于独特的自然条件,另一个来自于独特的历史文化背景。本文试通过其一代表作——桑珈,来解读本土建筑师D·V·多西建筑中的“印度情结”。
In modern times, due to the development of science and technology, the ability to artificially overcome the adverse natural elements of copying has been continuously raised, resulting in the widespread unification of modernist architectural styles around the world. However, after almost a century has passed, people begin to reflect on the fact that the schools of the heart and the genre, which have eroded the regional differences, have once again returned to the stage. Of course, geographical differences include two aspects: one comes from unique natural conditions , The other from a unique historical and cultural background. This article tries to interpret the “Indian Complex” in the architecture of local architect DV Cosi through one of its masterpieces, Sang Jia.