服装艺术在我国有着悠久而辉煌的历史。“垂衣裳而天下治”(《易经·系辞下》)句表明,历代统治阶级把冠服制度纳入“礼治”的范围;“昭明兮、辨等威”,将服饰的作用又提到治国兴邦的重要地位,由此可见服饰是人类文明的标志。然而近半个世纪来,由于种种原因,素有“衣冠王国”之称的中华民族服装落伍了,昔日“丝绸之路”发源地那汉唐盛世风采,汉民族文化与胡乐、胡舞、胡帽、胡服交流融合的兴旺景象,不仅没有随历史的发展而发展,而是日渐衰微,服饰民族文化传统的影子在现代人身上几乎是荡然无存。三中全会后,随着对 Clothing art in our country has a long and brilliant history. The sentence of “hanging clothes and the rule of the world” (“The Book of Changes”) states that the ruling classes in ancient dynasties put the system of crown clothing under the jurisdiction of “rites of rites.” The important position of governing the country, we can see that costumes are the hallmarks of human civilization. However, for nearly half a century, due to various reasons, the Chinese clothing known as the “Kingdom of Dress,” is outdated. The ancient Han and Tang dynasties, the birthplace of the “Silk Road”, the Han nationality culture and Hu music, Hu hats and beauties have not only failed to develop with the development of history, but have been declining gradually. The shadow of the national costume tradition is almost gone to the modern ones. After the Third Plenary Session, with the right