我国作为一个礼仪之邦和文明古国,自古就非常注重人性与人情的探讨。从先秦诸子百家到鲁迅、梁实秋、毛泽东直至今天,“人性”问题依然是一个焦点,人性与人情甚至一度成为衡量一切文艺创作成功与否的标志。特别是新时期以来,随着人们思想的进一步解放,随着阶级人性观的消除,文艺家们的创作开始由过去的社会政治视角逐渐转入对人的人性、人情的关怀,观众欣赏的审美视角 As an etiquette state and ancient civilized country, our country has paid great attention to the discussion of human nature and human relations since ancient times. From the hundreds of pre-Qin philosophers to Lu Xun, Liang Shiqiu and Mao Zedong, the issue of “human nature” is still a focal point until today. Human nature and human relations even once became the measure of the success of all literary and artistic creation. Especially since the new period, with the further emancipation of people's thinking and the elimination of the concept of class humanity, the creation of literary and artistes has gradually shifted from the social and political perspectives of the past to the consideration of human nature and human sentiment, the appreciation of the audience's appreciation Perspective