引言明清以来,中国传统的木版年画有三大画坊,即苏州桃花坞、天津杨柳青和山东潍坊杨家埠。不仅有丰富的艺术欣赏性,而且具有珍贵的史料研究价值。按郑振铎的研究,“北方的木刻画精致富丽而稍流于板涩,南方的木刻潇洒生动而略领于简率”。郑氏其实是仅就苏州桃花坞和天津杨柳青的版画来作比较而已的。如就潍坊杨家埠而言,它的宗教画保留了北派的古朴, Introduction Since the Ming and Qing Dynasties, traditional Chinese woodblock New Year Pictures have three main art fairs, namely Suzhou Taohuawu, Tianjin Yangliuqing and Shandong Weifang Yangjiabu. Not only rich in artistic appreciation, but also has valuable historical research value. According to Zheng Zhenduo’s research, "the woodcut in the north is exquisitely rich and slightly exquisite in plate astringency. Cheng is actually only the Suzhou Taohuawu and Tianjin Yangliuqing prints for comparison only. In terms of Weifang Yangjiabu, its religious paintings retain the simplicity of the Northern School,