戏剧小品作为一种特殊的戏剧样式,是剧作者对生活的新发现、新思考所采取的一种新的表现手法,要求导演以最经济、最浓缩、最快捷的手段在舞台上体现出来。小品从崛起至今,只有短短的十余年,其形式、风格都尚显单一、幼稚之时,却在观众的心里已形成了一种基本的模式、套路了,这就使得观众产生了“不看想看,看了生厌”的逆反心理。如何使小品在满足观众审美需求的同时,给他们带来一种深层次的愉悦和快感,就给导演们提出了一个极为严肃的命题,即如何在舞台上采取新鲜、新奇、新颖的表现手法,使得观众能始终保持兴趣和期待的心理。就此问题,我想以执导小品《窗户》为例,谈一谈我的体会。 我市孙伟同志创作的小品《窗户》入围省第十届小品大赛后,淮北市文化局将此剧赴省参赛演出的任务交给了歌舞团,由我担任导演。此剧讲述的是一个工人和一堵墙的故事:解放初期,青年小张进厂当了一名工人,进厂他就 As a special drama style, Drama Pieces is a new performance technique adopted by the writers for new discovery and new thinking of life. It requires directors to reflect on the stage with the most economical, concise and quickest methods. Pieces from the rise so far, only a short span of more than ten years, its form, style are still single, naive, but in the audience’s heart has formed a basic model, routine, which makes the audience have a “ Do not think of watching, read the boring, ”the rebellious. How to make sketches meet the aesthetic needs of the audience at the same time, to bring them a deep pleasure and pleasure, gave the director put forward a very serious proposition, that is, how to take on the stage of fresh, novel, novel performance techniques , So that the audience can always maintain interest and look forward to the psychological. In this connection, I would like to take the example of “window” in order to talk about my experience. Comrade Sun Wei created the skit “window” short-listed tenth provincial contest, Huaibei Cultural Affairs Bureau to the province to participate in the performance of the mission to the song and dance troupes, by me as a director. This play tells the story of a worker and a wall: In the early days of liberation, a young man entered the factory as a worker.