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树木盆景创作的最高目的就是在自然美、造型美的前提下追求意境美。这是一个比较抽象的问题。不同的环境、不同的艺术修养以及欣赏时的不同心境、精神状态,都能对作品产生不同的评价。但,盆景的作者只要把握住作品的整体神韵,将自己要表达的意向充分展露出来,给欣赏者一个积极的引导,就会引起观赏者的共鸣,进入作者要表达的意境中去。一件作品的产生,从因材立意、截桩、育桩,成型阶段的养护,到最后成型,必须以平常的心态,逐月、逐年,根据自己心目中的设计要求,一步步地去追求,来不得半点马虎,也没有捷径可走。现就作品《醉邀明月》去追寻其成型轨迹。
The highest purpose of bonsai tree creation is to pursue the beauty of the artistic conception under the premise of natural beauty and modeling beauty. This is a more abstract issue. Different environments, different artistic accomplishments and different moods and mental states of appreciation can all produce different evaluations on the works. However, as long as the author of the bonsai grasps the overall charm of the work, he fully reveals his intention to express, and gives an active guide to the viewer, which will arouse the resonance of the viewer and enter into the mood of the author to express. The production of a piece of work must be pursued step-by-step according to its own design requirements from the normal state of mind, from month to year, from year to year, from the conception of material, the cutting of pile, the education of pile, the maintenance of the forming stage to the final molding , No sloppy slightest, there is no shortcut to go. Now on the work “Drunk invited the moon,” to track its trajectory.