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假定性问题是目前舞台艺术论坛上的一个热门话题。这个问题由于被某些人视为话剧创新的必要途径而愈为人们所注意。最近读了一些剧论,觉得有些同志对舞台假定性的看法不免失于偏颇,而且还有点迷信味儿。在舞台上,假定性与真实性是互相矛盾又互相统一的,我们重视假定性,是为了更加真实地表现内容。在反对自然主义倾向时强调假定性是可以的,但对它的估价要恰如其分。去年《人民戏剧》有一篇文章,对舞台假定性的作用就作了不甚恰当的估价。作者说:“只要相信假
Hypothetical issues are a hot topic on the stage art forum. The issue has become more noticeable as it is seen by some as a necessary avenue for drama innovation. Recently read some dramas, I feel that some comrades on the stage of presumption of ideas are inevitably biased, but also a little superstition taste. On stage, hypotheticality and authenticity are contradictory and mutually unifying with each other. We attach importance to hypotheses in order to represent the content more truthfully. It is possible to emphasize hypocrisy in opposition to the tendencies of naturalism, but its valuation is well-proportioned. Last year, there was an article in People’s Theater that made an inappropriate assessment of the hypothetical role of the stage. The author said: "Just believe in fake