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明清两朝,由于特殊的民族关系,政府大力推动藏传佛教在中原的传播,佛像制作工艺登峰造极,甚至连现代工艺都无法与之比拟。尤其是明永乐、宣德时期和清康熙、乾隆两朝,藏传金铜造像达到制作顶峰。明清藏传佛像题材丰富,主要有上师、本尊、佛母(包括空行母)、佛陀、菩萨、罗汉、护法七大类别。2000年国内佛像的收藏之风渐起,2006年左右出现了第一个小高峰,2013年至今可以看做是第二个收藏高峰期,并且由于国内外在佛造像收藏方面的差距,未来的空间仍旧十分值得期待。
In the Ming and Qing dynasties, because of the special ethnic relations, the government vigorously promoted the spread of Tibetan Buddhism in the Central Plains. The production process of Buddhist statues culminated, and even modern craft can not be compared with it. Especially the Ming Yongle, Xuande period and the Qing Emperor Kangxi, Qianlong two dynasties, Tibetan bronze statues reached the pinnacle of production. The Ming and Qing Dynasties Tibetan Buddhism theme is rich in material, there are gurus, deities, Buddha mother (including blank aaron), Buddha, Bodhisattva, Lohan, law enforcement seven categories. In 2000, the style of collection of domestic statues gradually increased. The first small peak appeared around 2006 and can be seen as the second peak collection period from 2013 to the present. Due to the gap between collections of statues at home and abroad, the future Space is still quite worth the wait.