本文以吴冠中在杭州求学时期、巴黎留学时期的学习背景和师承关系为主题,旨在说明影响他艺术观念和语言风格一些重要学缘因素。因为他在国内和国外接受不同教师和艺术环境的感染,最终形成了吴冠中以学院艺术为中心,具有审美主义风格,注重形式感、装饰性为主的艺术面貌。同时、吴冠中艺术表现中保持了较多的写实因素,他在杭州艺专时期的学习环境影响是重要成因。吴冠中艺术是所在时代的中外艺术氛围和学术风气的写照和映像,通过他的学缘结构分析,对于认识和梳理20世纪初期之后中国艺术发展的社会环境和自身逻辑,具有重要的参照意义。 This article takes Wu Guanzhong’s studying in Hangzhou as a subject, the study background and the relationship between teacher and student during Parisian study as the theme, and aims to illustrate some important learning factors that affect his artistic conception and language style. Because he accepted the infection of different teachers and the artistic environment both at home and abroad, he finally formed the artistic face of Wu Guanzhong centered on college art, featuring the aesthetic style, paying attention to the sense of form, and decorative character. At the same time, Wu Guanzhong maintains more realistic factors in his artistic performance. The influence of his studying environment in Hangzhou Art College is an important cause. Wu Guanzhong’s art is the portrayal and reflection of the artistic atmosphere and academic atmosphere both at home and abroad in his own time. Through his analysis of his academic structure, Wu Guanzhong is of great significance for understanding and combing the social environment and his own logic of the development of Chinese art since the early 20th century.