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著名美学家苏珊·朗格深刻地指出:“艺术是生命的形式”。在王挥春的晚年绘画艺术中,生命的形式和情感的形式两者是统一在一起的。他的作品的特征总是将人与自然、动物与植物、情感与理性、灵与肉放在平等的位置,没有人为的对立和主次的分离。这种对于生命的存在,对于大自然中不同物种的生命之美的肯定,我们几乎可以以他的任何一件作品来加以印证。如:描绘宠
Well-known aestheist Susan Lange pointed out profoundly: “Art is the form of life.” In Wang Hui-chun’s late-age painting art, both the form of life and the form of emotion are united. The characteristics of his works always place man and nature, animals and plants, emotion and reason, spirit and flesh on an equal footing, and there is no separation between man’s opposition and major and minor. This kind of affirmation of the existence of life and the beauty of the life of different species in nature can be proved with almost any one of his works. Such as: depicting pets