一九五八年三月,毛泽东同志在成都会议上,针对当时涌现的新民歌的创作指出:“形式是民歌的,内容应当是现实主义与浪漫主义对立的统一”。其后,他又在党的八大二次会议上十分明确地建议,无产阶级的文艺应当采用革命现实主义和革命浪漫主义相结合的创作方法(以下简称“两结合”创作方法)。自此以后,“两结合”的创作方法,作为一种独立的创作原则至少在提法上明确起来了。事实上,到粉碎“四人帮”之前,人 In March 1958, Comrade Mao Tse-tung pointed out at the meeting in Chengdu that in the creation of the new folk song that emerged at that time, “the form is folk song, and the content should be the unity of the realism and the romanticism.” Later, he again and again very clearly proposed at the Party’s eight second congresses that proletarian literature and art should adopt the creative method of combining revolutionary realism with revolutionary romanticism (hereinafter referred to as the “two-in-one” method of creation). Since then, the method of creating “two combinations” has been at least formulated as an independent principle of creation. In fact, before crushing “gang of four”, people