论文部分内容阅读
看了河南话剧院演出的、张 健莹根据乔典运的小说《黑洞》改编的小剧场话剧《福兮祸兮》,觉得很有些理论话语可以探讨。 这台戏的立意贴近现实,表现风格带有明显的时代色彩,揭示了一个当代存在的深邃命题。亦即,这个戏用解构、反讽、黑色幽默的手法,表现处于社会转型期的当代人,面对急剧的环境变化和由之而来的观念复杂化,陷落到了一种彷徨、焦虑、身不由己、无可奈何的境地,引发了对生存意义和价值保障的叩问。传统的社会价值体系被时代所解构,它所一贯坚持的信仰受到嘲讽,生活于其中的人感到无所适从。具体体现在女主人公大花挖
Watched the performance of the Henan Provincial Theater, Zhang Jianying based on Qiao Dianyun’s novel “black hole” adapted from a small theater drama “Fu Xi Xi Xi Xi”, I feel a lot of theoretical discourse can be explored. The idea of this play is close to the reality, and its style of expression has obvious time colors, revealing a deep proposition of contemporary existence. That is to say, the performance of the contemporary people who are in a period of social transition in the play of deconstruction, irony and black humor has fallen into a kind of confusion, anxiety and body in the face of the rapid environmental change and the complicated concepts that follow. By their own, helpless situation, triggered the meaning of life and the value of protection inquiries. The traditional system of social values was deconstructed by the times, the beliefs it consistently adhered to were ridiculed, and the people living in them felt at a loss. Specifically embodied in the heroine flowers dig