气韵是中国传统绘画最为重要的法则之一,也是绘画创作追求的最高目标与最高境界。它由魏晋时期著名绘画理论家谢赫首先提出,气韵的产生有着深刻的思想渊源与理论基础,同时它随着时代的发展而不断延伸与完善。 Rhythm is one of the most important laws in Chinese traditional painting, and also the highest goal and highest level in the pursuit of painting creation. It was first proposed by Sheikh, a well-known painting theorist in the Wei and Jin Dynasties, that the creation of the aura had profound ideological origins and theoretical basis, and at the same time, it continued to extend and improve with the development of the times.